Fall/Winter 1999
Volume III, Issue 2
Cover image byLarry Pirnie
"Movin' Um Toward Home"
Editors
Jeff Knorr
Tim Schell
Contributing Editors
David Mount
Allen Widerburg
Kate Gray
Copy Editors
Beverly Froehlich
Designer
Diane Angelo
ESSAYS |
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| Alberto Rios | The March of the Altar Boy Army | |
| Joe Abbott | Guns | |
| Terrance Millet | A Night with Beulah | |
| Amy Sage Webb | Blood | |
FICTION |
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| James Manuel | Sally Draw Horn Winner of the 1999 Willamette Award in Fiction |
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| Wendell Mayo | A Piece of the Road | |
| William J. Cobb | Marina | |
| Robert H. Abel | Mr. Nice Guy | |
| Ladette Randolph | What She Knows | |
| Chauna Craig | Binocular | |
| Julie Weston | Idaho Surprise | |
| Mark Andres | The Angel of Necessary Losses | |
| Anna Monardo | Our Passion | |
| David Galef | Metafiction | |
| Erin Ergenbright | Burning | |
POETRY |
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| Thea S. Kuticka | The Seamstress Winner of the 1999 Willamette Award in Poetry |
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| Thom Ward | Bill Puckett's Farm | |
| Thom Ward | When the Mother of the Bride Is Dying | |
| Rodger Moody | With My Sons | |
| Pat Cason | The Difference Between Bury and Plant | |
| Tama Baldwin | The Curving of Familiar Bones | |
| Tama Baldwin | Iris | |
| Sandra Yannone | Grief | |
| Sandra Yannone | The Marginal Way | |
| Alison Apotheker | The Art of Keeping House on the Ocean Floor | |
| Alison Apotheker | Overnight, Snow | |
| Judith Barrington | Quinag | |
| Judith Barrington | My Father's Smile | |
| Joe Abbott | Beard | |
| Charles Harper Webb | Wrong Numbers | |
| Reg Saner | Winter Grasses | |
| Mary Winters | Bedsprings | |
| Mary Winters | Not Being There When I Need You | |
| Bart Edelman | Forgiveness | |
| Bart Edelman | Bashevis | |
| Bart Edelman | In Albany Love | |
| Beckian Fritz Goldberg | Last Erotica | |
| Beckian Fritz Goldberg | Darkroom | |
| Beckian Fritz Goldberg | The Courtship at the End of the Book | |
| Jack Martin | Son | |
| Jack Martin | What Does Lindbergh Mean? | |
| Susan Allspaw | This is My Mother and a Man Named John Gillis in 1956 | |
| Anita Skeen | What Remains | |
| Molly Tenenbaum | Where He Rested | |
| John Thelin | Duets at Dusk | |
| George Kalamaras | Glendive, Montana | |
| George Kalamaras | A Theory of Goats as Given in the River's Skin | |
| Jim Fairhall | Hue Blues | |
| Burton Bradley | Prayer to Itzmana, Mayan Sun God | |
| Floyd Skloot | Burning Deadfall | |
| Floyd Skloot | Wake | |
| Eugénio de Andrade | Sea Gulls | |
| Eugénio de Andrade | To a Lotus Tree on My Street | |
| Eugénio de Andrade | Rose of Sand | |
| Allison Joseph | In the Spirit: On Seeing the Sounds of Blackness Perform, Riverfront Park | |
| Susan Terris | The Woman on Death Row Watches TV | |
| Jim Murphy | Brokers' Holiday | |
| Jim Murphy | The Continental's Gaming Tables | |
| John Bradley | Chronicle of Jesus and the Corn Mothers | |
| John Bradley | Allen Ginsberg Afterlife Sutra | |
| Cortney Davis | Alchemy | |
| Cortney Davis | The Viet Nam Veteran's Wife | |
| Cortney Davis | Wilding | |
| Julie Parker | The Last Cut | |
| Oliver Francisco de la Paz | Fidelito Takes Flight Up a Ladder | |
| Oliver Francisco de la Paz | With the Grace of Basket Weavers | |
| Oliver Francisco de la Paz | Grounding | |
REVIEW |
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| Stephen Wallin | poets in the lower case: Pacific Northwestern Spiritual Poetry |
